For the September Map Spotlight, we are showcasing an honourable mention of the 2021 Avenza Map Contest by Enrico Casolari. This is one of seven maps created for Arcipelago Toscano National Park in Italy, with this map in particular focusing on Giglio Island. It illustrates forest roads and trekking paths that span the island, as well as topographic information to visualize its impressive terrain. Enrico used natural tones to create an eye-catching cartographic piece that serves as both a functional reference aid and a visually engaging artwork.
Select the images below to see a detailed look at Enrico’s map
Making the Map
Enrico employed both Geographic Imager and MAPublisher to create this map. He used Geographic Imager in Adobe Photoshop to create the shaded relief images for the land portion of the map. The Terrain Shader tool is a simple but effect method to create a shaded relief using a Digital Elevation Model (DEM) file. The Mosaic and GeoCrop tools were used to ensure the DEM only included the necessary area required for the map. The shaded relief image could then be imported into MAPublisher and used for the final map design.
Next, Enrico imported his vector data on top of the shaded relief image into MAPublisher. He used MAP Stylesheet Themes to visualize the vector data as desired, including roads, trails, and sea depth. The Label Features tool was used to automatically place labels at important locations on the map, with the option to modify them manually once placed. This tool serves as a great substitute for the LabelPro add-on if intensive labeling is not required.
Enrico then used the Create Knockouts tool to ensure that more important labels and features were not obscured or intersecting with contour lines. Finally, he used the North Arrow tool to easily add the finishing touches to his map, importing a custom symbol to use for his north arrow.
Learn more and enter the 2024 Avenza Map Contest here, and check out our other Map Spotlight blogs here!
For our monthly Map Spotlight of July, we are displaying another superb honourable mention of the 2021 Avenza Map Contest: Russell Fjord Wilderness by Aaron Taveras of Cartografix. This outdoor recreation map was created to help visitors navigate the Russell Fjord Wilderness area and find the few trails that exist around the Yakutat region of Alaska. The map consists of two pages which illustrate the beautiful glaciers and rocky moraines, both of which make the area a popular destination for backcountry travel. Aaron combined essential topographic detail with recreational points of interest which resulted in a visually stunning yet useful cartographic product.
A fun fact: this map was selected to be used in the main software graphics for MAPublisher 11. It is available for purchase as a bundle digitally on the Avenza Maps Store.
Select the images below to see a detailed look at Aaron’s map
Making the Map
Aaron used both Geographic Imager and MAPublisher in the creation of this map. Geographic Imager was used in Adobe Photoshop to build the shaded relief images for the background of the map. The Terrain Shader makes it quick and easy to create a shaded relief by simply inputting a Digital Elevation Model (DEM). After this, the shaded relief image could be imported into MAPublisher and used as the background for the map.
Aaron imported his vector data and his shaded relief image into MAPublisher. MAP Stylesheet Themes were used to stylize the vector data such as the glaciers, land cover and water features. The Create Halo tool was used to create the thick and slightly transparent borders of the various parks and preserves in the region.
One of the standout features of Aaron’s map is the contour lines illustrating the terrain of the Russell Fjord Wilderness. The lines can be smoothed out using the Simplify Art tool to make them more visually appealing. The MAP Contour Tagger tool could then be used to manually create elevation labels for the contour lines, which allowed Aaron to select their exact placement in a visually appealing and uncrowded manner. Another important aspect of contour lines is that the text labels are readable, since they are usually obscured by the contour line itself. The Create Knockouts tool is perfect for ensuring that any text or features obscured by other features can be visible. Create Knockouts was used to create a gap in the contour lines where the contour labels (and other labels such as glacier names) exist.
The Grids & Graticules tool was essential in Aaron’s addition of such features to the map, with a UTM grid of 3000 meters being visible across the entirety of the map. Finally, Aaron used the Scale Bar and North Arrow features to easily ensure his finishing touches were placed correctly. Check out his north arrow that shows both true north and magnetic north and the difference between the two!
Learn more and enter the 2024 Avenza Map Contest here, and check out our other Map Spotlight blogs here!
In this month’s Map Spotlight we are showcasing an honourable mention of the 2021 Avenza Map Contest: Winter Trails of Methow Valley, WA by Matt Dressler. This map was created to provide visitors to the region with all the information needed to plan, explore and navigate within the Methow Valley of Washington, the largest Nordic ski trail system in North America. The map provides users with valuable trail information including difficulty, trailheads, distances for each segment, elevation, parking, restrooms, ski waxing huts, warming huts, and usage restrictions. It also features detailed inset maps of the most popular areas of the trail system, including Mazama, Winthrop, and the Sun Mountain Complex. The map maximizes legibility for users through a strong visual hierarchy, minimalist color scheme, muted basemap, and horizontal labels juxtaposed with curving line features.
The map is available throughout the valley as a double-sided, wallet-sized map card (16″ x 25″ when unfolded) and also digitally on the Avenza Maps Store.
Select the images below to see a detailed look at Matt’s map
Making the Map
Matt worked in both Geographic Imager and MAPublisher to create this map. Geographic Imager was used in Adobe Photoshop to spatially reference and refine the shaded relief basemap. From there, the basemap was imported into MAPublisher and provided the foundation to construct the remainder of the map.
Matt used MAPublisher to import his vector data as well as his basemap image. Since his map contains multiple inset maps, he used the Copy MAP Objects From tool to copy his data to another temporary workspace document and crop it to the area for each inset map. He then used the Copy MAP Objects From tool again to bring each of his cropped maps back to the main document as an inset map (check out this blog to see this process in detail). In addition to the MAP Vector Crop tool, Matt also used the Simplify Art tool to smooth ultra-detailed trail lines to be more visually appealing.
Matt also used cartographic tools in MAPublisher to improve his map’s appearance. The Create Halo tool was used to create outlines for the trail lines to make them more legible. Adding halos to elements of a map is a quick and easy way to provide contrast for readers. Matt also used the Create Knockouts tool to create spaces in vector data where text overlapped in an undesirable way.
The MAPublisher LabelPro add-on was essential in Matt’s ability to expedite feature labeling, and allowed him to control and finetune the placement of his labels. Finally, due to the nature of his map being tilted by 12 degrees from North, Matt used the Scale Bar and North Arrow features to easily ensure his finishing touches were oriented correctly.
Learn more about the Avenza Map Contest here, and check out our other Map Spotlight blogs here!
This Map Spotlight highlights the second runner-up of the 2023 Avenza Map Contest: Africa’s Evolving Energy Landscape by Ginny Mason with extra contributions from her team at S&P Global Commodity Insights including Melenie Yuen, Justin Cochrane, Roderick Bruce, Josephine Sajbel, Jennifer Tschopp, and Enrico Pedica. This infographic was shown at the African Energy Week conference, which took place in Cape Town, South Africa from October 16th to 20th in 2023. It was created with the versatility that it could function as a small handout as well as a large, wall-mounted map. The handout versions of the map also included a QR code which linked to an interactive online PDF. According to Ginny, this map is “the culmination of Commodity Insights’ midstream and upstream geospatial data, and several other products that we provide to decision makers in this field.”
Select the images below to see a detailed look at Ginny’s map
Making the Map
All map elements of Ginny’s infographic were created with the help of MAPublisher tools. After pre-processing her data using other software, she imported it into MAPublisher and then re-projected it as required. The Copy MAP Objects From tool was also used to quickly grab elements from other maps Ginny had already created.
Since there are several different map elements to this infographic showing various types of energy data, the MAP Attributes panel came in particularly handy for Ginny, allowing her to easily calculate, edit and append data to her attribute tables. Once her data was prepared, she could use the Merge Layers tool and the Split Layers tool to further organize her spatial data layers systematically according to their attributes.
Ginny used the Find Places tool to search for and plot relevant point data on her maps, such as energy plants, gas wells, and oil fields. The MAPublisher LabelPro add-on was used to easily generate labels for all of her data as required. She also used the Simplify Art tool to smooth the edges of excessively detailed lines and area data. Ginny added finishing touches to her map by adding supplemental elements such as a Scale Bar.
See the winners announcement for the 2023 Avenza Map Contest here, and check out our other Map Spotlight blogs here!
In this edition of Cartographer Chronicles, we interviewed Christina Shintani, the creator behind the winning map of the 2023 Avenza Map Contest! Christina is a talented cartographer with particular experience in creating maps that highlight environmental issues. Her interest in cartography began while studying fluvial geomorphology in graduate school and has been growing ever since. Christina uses cartography to make a difference in the world and raise awareness about how climate change is affecting it, with her maps appearing in National Geographic, Rolling Stone, and the Atlas of Design. In this edition, Christina is sharing her cartographic journey with us in her own words.
***
Career Journey in Cartography
My journey in cartography started with a string of lucky choices and following my interests. As a freshman at William and Mary, I signed up for an Introduction to Physical Geography class to fulfill a general science requirement. I found myself fascinated with every topic and lecture. Eventually, I realized I wanted to keep learning about geography, so I created my own major because my college didn’t offer it. After graduating, I continued on to get my master’s in geography at the University of Oregon. I started grad school with the intention of studying fluvial geomorphology, and while I did continue to study rivers, I left grad school wanting to become a cartographer. This changed when I signed up for the advanced cartography course for no reason other than liking maps, and it changed what I wanted to do in my career.
After graduating with my MS, I moved to Portland, Oregon. After a string of short-term jobs, I got a job as a cartographer and data analyst at a public transit consulting firm, where I made transit maps for cities across the country. After a few years there building my portfolio, I was offered a position at National Geographic, where I made maps for the magazine and website, covering a range of topics from conservation and animals to climate change. This is where I was first introduced to Avenza products, MAPublisher and Geographic Imager. Every map I made (while at NatGeo and since) has been made using Avenza products, and it’s hard to imagine going back.
After a few more years, I joined Woodwell Climate Research Center as a cartographer, where I still work today. I make maps to communicate climate science for research papers, communities wanting to understand how climate change currently impacts them and how it will impact them in the future, policymakers in Congress and the Senate, and the general public.
Cartographic Highlights
One important map project is the Arctic carbon monitoring network map which I won the Avenza award for. This map highlights how Woodwell’s tower network is critical to understanding how carbon feedbacks are accelerating warming in the Arctic and impacting global weather. We often use maps to communicate climate science in order to change policy. Most recently, it was brought to the Conference of the Parties (COP) and used to communicate our work to Senators Murkowski and Markey.
A large mapping project I worked on this past summer at Woodwell was in collaboration with the Center for Climate and Security. I created two story maps detailing how worsening climate change will contribute to security challenges in Iran and Türkiye. These maps were presented to politicians on Capitol Hill, where it was attended by congressional staffers across the political spectrum.
While we don’t always have the capacity to respond to current climate events, the wildfires in Canada this past summer were historic. I worked quickly to analyze, map, and chart the historically burned areas in Canada to illustrate how this summer’s wildfires were exponentially larger and occurred very early in the wildfire season in comparison to previous years.
I make maps with Adobe Illustrator and Photoshop every day and therefore use MAPublisher and Geographic Imager daily. MAPublisher makes it so easy to start a map, and later completely change everything about it without starting over or going back to GIS. The features I use most often are the import tool (sometimes with spatial or layer filter), applying Map Themes, scale bar, and label features. I often have to convert a map from print to digital or vice versa, so I use the Map Views to change the scale of the map.
Advice to Aspiring Cartographers
My advice to early career folks/people wanting to get into cartography: even if your current job doesn’t include map making, build your portfolio in your free time with maps that interest you and that you feel excited about making, and create a website to showcase them.
Check out our Map Spotlight on Christina’s winning entry of the 2023 Avenza Map Contest here!
This Map Spotlight will be showcasing the runner-up of the 2023 Avenza Map Contest: Korea Between the Wars by Nat Case. This map was part of a series of five maps created by Nat to be published in the memoir Beyond the Border: A Korean’s Journey Between the North and South by Tae-hyok Kim and Nicole Kim Rogers, which follows Tae-hyok’s life in war-ridden mid-century Korea. This particular map is used to set the stage for the beginning of his story when North and South Korea were divided by the 38th parallel post-World War II. Hand-drawn map elements and handwriting-style labels are used to highlight relevant cities, provinces and other features of the Korean peninsula and surrounding regions.
Check out the other maps in the series on Nat’s website, and find Beyond the Border: A Korean’s Journey Between the North and Southhere.
Select the images below to see a detailed look at Nat’s map
Making the Map
Nat used both MAPublisher and Geographic Imager tools in the creation of this map. In MAPublisher, coastline and political boundaries as well as points were imported and then projected and rescaled. Transforming the projection of the data upon import allowed him to set up the map scale and projection of the document without needing to use the MAP View Editor after import. The coastline data was then exported as a TIFF to be used in the process of creating the textured shaded relief.
In Geographic Imager, a Prisma shaded relief was imported and transformed to the desired projection. It was then cropped and exported to a TIFF as well, to also be used in the process of creating the textured shaded relief.
Both TIFF files were then imported into the Illustrator map file. Nat used the grayscale of the Prisma relief as a mask in Illustrator to create the textured relief around the coastlines and land formations. The hand-drawn texture were created using textures from the Adobe Stock library.
Nat selected handwriting fonts when creating the labels using the Label tool to place them initially. He then adjusted the labels manually as desired.
See the winners announcement for the 2023 Avenza Map Contest here, and check out our other Map Spotlight blogs here!
In our first Map Spotlight of the year, we are showcasing the winner of the 2023 Avenza Map Contest: Arctic Carbon Monitoring Network by Christina Shintani, with additional contributions from Jessica Howard (text content) and Julianne Waite (illustration). This map shows eddy covariance flux tower locations in the Arctic that measure the continuous movement of carbon between soils, plants, and the atmosphere. This process is often intriguingly referred to as the Earth’s breath. These towers collect data that is crucial to establishing a comprehensive carbon monitoring network in the Arctic region, which will assist efforts in advancing plausible solutions to curbing permafrost thaw.
A warming Arctic contributes to intensifying wildfires and permafrost thaw, both of which in turn contribute to increased carbon emissions, which is a serious environmental concern. The supporting maps explore the various implications of what is at stake as the Arctic warms three to four times faster than the rest of the world: the Arctic ecosystems at risk, the extent of permafrost thaw, and the shifting of the Arctic from a carbon sink to a new source. Maps like Christina’s are helpful in allowing people to visualize and further understand the progressive impacts of climate change.
Check out more of Christina’s maps on her website, and learn more about the work of Permafrost Pathways here.
Select the images below to see a detailed look at Christina’s map
Making the Map
Christina used both MAPublisher and Geographic Imager tools in the creation of this map. Christina used the Import tool to import the data files she processed in another program, such as QGIS. Following import, she used the MAP Views panel to set up the map scale and projection of the document. Since this map required a polar map projection, the MAP View Editor was also used to reproject data layers from different coordinate systems.
Christina also employed MAP Themes in the creation of her map. Stylesheet Themes were used to symbolize the data on both the main map and supporting maps. These stylesheets could then be used to create legends for the respective maps.
In Geographic Imager, Christina opened her raster data using the Advanced Import, which contains several geoprocessing tools to adjust, crop or transform her imagery before importing it. This can be especially helpful when working with large datasets that may slow the program down if they are not cropped or downsized in some way. She also used the Transform feature to reproject images where necessary.
See the winner announcement for the 2023 Avenza Map Contest here, and check out our other Map Spotlight blogs here!
We are excited to announce that the 2023 Avenza Map Contest has now concluded. This year we saw cartographers from all over the world submit their best maps, with some truly impressive displays of cartographic design. Our entrants demonstrated how they utilize Avenza software to create visually appealing and meaningful cartographic products. Now that we have concluded the judging, discussing, and reviewing process, the Avenza team would like to congratulate this year’s prize winners!
Over the next few months, keep an eye out for Map Spotlight blogs detailing our winning entries and some other honourable mentions from the 2023 Avenza Map Contest. Each article will provide a closer look at the winning map entries, with insights from their creators, and an overview of tools and techniques used to develop their prize-winning maps.
Grand Prize Winner
Arctic Carbon Monitoring Network Christina Shintani Woodwell Climate Research Center
Check out more of Christina’s maps on her website. Additional contributors to the text content and illustration on this map are Jessica Howard and Julianne Waite, respectively.
Africa’s Evolving Energy Landscape Ginny Mason S&P Global Commodity Insights
Several members of the team at S&P Global Commodity Insights contributed to this map: Melenie Yuen, Justin Cochrane, Roderick Bruce, Josephine Sajbel, Jennifer Tschopp, Enrico Pedica.
In this Map Spotlight, we are highlighting a submission from the 2021 Avenza Map Contest: Northern New Jersey Highlands Trails by Jeremy Apgar, with additional contributions from Daniel Chazin. This map features more than 360 miles of marked trails and over 40 parks and preserves in the northern Highlands regions of New Jersey. As the region is located less than a one-hour drive or transit ride from New York City, these trails are very popular. Recent changes and additions to the trails have required accurately updated maps to be created, with this particular map being recreated from scratch and scaled up by 33% from the original.
The map now includes many new features absent in the previous versions, including junction-to-junction trail mileage numbers, a completely rebuilt basemap with new detailed contour lines, revised park boundaries, and more than 5,000 manually-placed text labels and symbols. It also includes several inset maps to cover complex areas, a complete trail index, and park contact information, history, and regulations. On the importance of these maps, Jeremy stated: “During a time when there is a wealth of ‘free but largely unreliable’ trail information online and in popular apps, it is even more important than ever that we provide comprehensive, accurate, and up-to-date trail maps for the parks and trails in our region in a variety of formats.”
This map is available to be purchased from the Avenza Map Store for use in the Avenza Maps mobile app. Physical copies can also be purchased on the New York-New Jersey Trail Conference website, or found at the trailhead kiosks located throughout the region.
Select the images below to see a detailed look at Jeremy’s map
Making the Map
Several MAPublisher tools and functions were used to create this map. Jeremy used the Multiple Data Import tool to aggregate several data formats at once, such as GDB, SHP, and GPX files. Following import, he used the MAP Views panel and editor for setting up the map scale and projection of the document, and also reprojecting data layers in different coordinate systems. The MAP Attributes panel as well as the MAP Selections tool were used to further filter and easily organize imported data.
Jeremy also utilized some of MAPublisher’s Geoprocessing tools in the creation of this very detailed map. The Flip Lines tool was used for some finer linework styling, and the Simplify Art tool was helpful for creating visually appealing contour lines. Finally, Jeremy used the MAP Vector Crop tool to remove any art that was beyond the boundaries of the map.
Jeremy additionally used the Label Features tool, and Layout Tools to create preliminary labels and a scale bar, which were later replaced by manually placed labels and custom graphics.
In the Map Spotlight this time, we are highlighting a submission from the 2021 Avenza Map Contest. Serengeti in Motion by Riley Champine was a supplement to the December 2021 issue of National Geographic magazine, which featured several stories about the Serengeti and its wildlife. The map depicts the annual great migration of wildebeests, one of Earth’s last remaining large-mammal migrations. It also depicts the natural features of the landscape as well as the boundaries of several protected areas in the Serengeti region.
Each year over one million wildebeest (and other mammals such as gazelles and zebras) participate in a circular migration which starts in the southern Serengeti in Tanzania, loops through Serengeti National Park, and advances north toward the Masai Mara National Reserve in Kenya. Seasonal rains drive migration patterns as the wildebeest search for more grass to graze on. On this map, the migration has been illustrated using 340,000 points collected by an ongoing 20+ year biological study that uses GPS collars worn by wildebeest to track their location. The map also details the path of a single female wildebeest as she crossed multiple habitats, several rivers, and an international boundary (twice!) over the course of one year.
Select the images below to see a detailed look at Riley’s map
Making the Map
To create the terrain of the map, Riley used Geographic Imager to reproject and then mosaic aerial imagery of the Serengeti region. This terrain imagery could then be saved and imported into MAPublisher to constitute the background for the map. Some of the data was prepared in other programs such as Microsoft Excel, QGIS and Natural Scene Designer, and then easily imported into MAPublisher.
Riley used the MAP Selections tool to select location points by their date attribute, and group them into three main categories: rainy season (January to April), dry season (July to October), and migration periods (May to June and November to December). He also employed the use of MAP Stylesheet Themes to symbolize these points as well as other data on the map.
The MAP Point Plotter came in handy for Riley while creating the path travelled by the single female wildebeest on the map. The Simplify Art tool was also helpful in decreasing the detail in some line and area features, which helps in software performance when dealing with a large amount of data in one document.
Riley added the finishing touches to his map using his Stylesheet Themes to create legends as well as using the LabelPro add-on to easily place labels by attribute.
Learn more about the Avenza Map Contest and submit your entry here, and check out our other Map Spotlight blogs here!
