Cartographer Chronicles: Mike Boruta

Resources

Colorado-based cartographer Mike Boruta knows a thing or two about making maps. In fact, this award-winning cartographer has been designing spectacular maps and trail guides for more than a decade. His work can be seen in the National Geographic Trails Illustrated series, in mountain biking guides released by Fixed Pin Publishing, fly-fishing reference maps curated by Stonefly Press, or most recently in the hiking trails guide for the mountainous town of Ouray, Colorado, where he currently lives. Always fascinated with viewing the world from above, Boruta has dedicated his career to capturing the beauty of mountain landscapes through well-designed maps, and captivating cartographic styles.

Following several years of post-university travel, Boruta found himself living in the tiny tourist-driven town of Ouray. Seeking more opportunities for career advancement, he moved to Arcata, located on the north-western coast of California. He considered returning to school to pursue a computer science degree but realized the subject matter did not entirely excite him. That was when a coworker of his first told him about the excellent Geography and Cartography programs at Humboldt State University nearby. He learned about a subject-stream called Geographic Information Systems (GIS), and although having never heard of GIS before, the concept immediately interested him. His years of travel had given him quite an appreciation for maps, and the GIS and Cartography programs at HSU would allow him to combine this appreciation with an interest in computer technology.

He quickly developed a passion for cartography and decided to pursue graduate schooling in Athens (OH), where he studied under established cartographer Dr. Margaret Pearce. Forever drawn back to the rugged mountain landscapes where he had lived in the past, Boruta found a particular interest in studying relief representation in cartography, the technique used to create the illusion of 3D-terrain on a 2D map. He fell in love with the work of renowned Austrian cartographer Heinrich Berann, whose painterly style “birdseye” mountain maps continue to inspire him today.

“Anytime I had to choose a place to use for projects in my cartography or GIS classes I found myself pulled back West, usually to Ouray, Colorado. I grew increasingly interested in mapping mountainous places”

In 2009, Mike Boruta first began using Avenza MAPublisher in his work. He had recently won the Arthur Robinson Award for Best Printed Map, part of the CaGIS Map Design Competition, for his entry “The Million Dollar Highway”, which explored a scenic stretch of road connecting Ouray to Silverton, Colorado. The award included a student license for Avenza MAPublisher software and allowed him to seamlessly integrate its suite of cartography tools into his already Adobe Illustrator-heavy mapping workflows. Shortly after, he began working with the publishing company Fixed Pin to create a mountain-biking guidebook for the entire state of Colorado. The project was extensive and would require the creation of several complete and detailed map sets, each describing a unique part of the state. Recognizing the vast scale of work ahead of him, Boruta sought out mapping solutions that would help him enhance the efficiency of his cartographic workflow.

“This was the first time I really got to work with MAPublisher, and it was a joy to learn and to use. I immediately found out how useful it was to set up all my graphic styles and character styles since I was having to create 118 maps with the same look and feel.”

As Boruta found himself less and less dependent on dedicated GIS software, he opted to focus on completing his projects from start to finish directly in Adobe Illustrator using the many data import and manipulation tools of MAPublisher. This environment, he felt, “lent itself to so much more creativity”. Integrating these mapping tools into his workflow also meant he did not have to continuously replicate shared design features between each map, instead organizing and stylizing his data into a series of 15 “master maps” and using the MAPublisher Vector Crop tool to create separate individual maps for specific regions.

By 2011, Boruta had begun contract work with National Geographic to help produce maps for the Trails Illustrated line of topographic map products. Incredibly, in 2013 things aligned in such a way that he was able to once again move back to Ouray, the mountain-town he had fallen in love with many years earlier. There, he began meeting with the volunteer-run Ouray Trail Group (OTG) to discuss how he could help them improve their existing trail map, which is a major source of funding for the non-profit group. The first project was getting their map into the Avenza Map Store so that hikers could use the map on their phones and tablets. After that, it was clear that the newly created and extremely popular hiking route called the “Ouray Perimeter Trail” needed its own high-quality map.

Finding some free time in the summer of 2020, Boruta dedicated himself to fully revising the Ouray Trail Group’s main trail map and also creating an all-new map for the Ouray Perimeter Trail. His vision included a highly-detailed, topographic map showing the entirety of the county’s vast trail system. He set to work collecting datasets and planning the map production, first using dedicated GIS software, before reverting to a more design-focused workflow in Illustrator.

“I quickly moved things into Illustrator and MAPublisher and never looked back. There are certain tasks I’ve grown used to doing in MAPublisher that I just find so much faster and simpler to do than if I were in ArcGIS or QGIS”.

As is common with many mapping workflows, working from mixed data sources can be a constant challenge for many cartographers, especially when data from different public agencies do not share the same projection and coordinate systems. Boruta found this to be a common occurrence while working on his OTG trail maps and highlighted his fondness for being able to drag and drop data into different Map Views directly within Illustrator. In this way, he allowed the software to automatically reproject datasets to a shared projection without having to open up any sort of tool or repeatedly configure data parameters.

Boruta also emphasized how powerful the Vector Crop tools and “spatial filter on import” capabilities were, allowing him to quickly specify or delineate a region of interest and immediately crop all data layers to that area, retaining topology and attribute integrity, all within the Illustrator environment. When handling the reference maps used to guide the creation of the OTG trail maps, he implemented the Georeferencing tools in the Avenza Geographic Imager plug-in for Adobe Photoshop to efficiently georeference and georectify unprojected reference map images before integrating them back into his Illustrator project. After a large chunk of the summer working on the map, he delivered the finished trail map. On completing the project, he noted “It was one of the most satisfying projects I’ve ever worked on since I was literally mapping my own beloved backyard.”

The completed Hiking Trails of Ouray County and the Uncompahgre Wilderness map is available in printed form, and users can also purchase digital forms of that map and the new Ouray Perimeter Trail Map in the Avenza Map Store. The digital maps are fully geo-enabled and support offline use for navigation and GPS-location on mobile devices using the Avenza Maps app.

Mike Boruta still lives in his beloved town of Ouray. He spends his free time enjoying the trails and mountains which he has helped to map. He continues his work for National Geographic and has branched out his interests to include drone photography and videography. He operates the website OuraybyFlight.com, which showcases some of his spectacular drone photography work. His dream is to combine these dramatic landscape panoramas with overlaid symbols and text to create those iconic “birdseye” mountain maps that inspired him years ago.

“I envision something that would hopefully be more aesthetically pleasing, something that aims to capture the soul of these San Juan Mountains while also illustrating the geography. And just maybe it might also be something pretty enough to hang on the wall.”

MAPublisher 10 Released

BlogNovember 14, 2017

We’re excited to announce that we’ve released MAPublisher 10 for Adobe Illustrator. The MAPublisher product team has been working closely with our customers to build more useful features, tools, and to improve the look and feel.

MAPublisher 10

This update contains new features and performance improvements as well as fixes for reported bugs. Some highlights are mentioned below, for the full release notes see below.

Adobe Illustrator Creative Cloud 2018 support. We are fully committed to providing the best map design tools seamlessly built into Adobe Illustrator. We have improved our user interface (panels, tools, buttons) to support high-resolution monitors. This release is fully compatible with the latest Adobe Illustrator CC 2018 on both Windows (32-bit and 64-bit) and Mac.

Manage Data Links. This feature has long been requested by our customers. You now have the ability to create and manage data links for MAPublisher documents. MAP layers in a document can be updated when its source data has been modified. Data links are checked automatically every time a document is opened and will display the status of affected layers in the MAP Views panel. This allows you to keep track of data that may have been moved or modified. When a data source is missing, a notification will alert you in both the Edit Data Link dialog box and MAP View panel. Note that only the link is dynamic and not the actual map features, meaning that manipulating your features in the document does not directly affect the source data. You will need to export your data if you want to overwrite your source data.

Filter attributes and filter geometry on import. A common workflow our customers encounter is trying to reduce the amount of data being imported. Often times, a dataset covers a much larger area or has too many attributes included. There is now a way to streamline import so that it’s not only quicker to import, but also results in improved Adobe Illustrator performance due to the reduction in the number of map features on the artboard. The new attribute filter helps you select which layer attributes (or layers) to include or not include prior to import. The new geometry filter provides several options (including an interactive map) to help you select which area to include or not include prior to import.

Redesigned Scale Bar tool. We’ve worked a lot with our customers to redesign the scale bar tool. In addition to new customization options, new scale bar styles were generated with the help of the US National Park Service, Harpers Ferry Center. You also now have the ability to save, import, and export scale bar styles, making it easier to share defined styles with others.

Improved MAP Tagger Tool. You now have the ability to create custom leader lines with various arrow styles and option to snap leader line to different positions around a label. This provides a new level of customization and efficiency without having to style leader lines afterwards.

New Simplify Art simplification method. A new Visvalingam-Whyatt simplification method and fault tolerance setting to accommodate positional error between shared edges in the topology. The Visvalingam-Whyatt method is an area based algorithm which eliminates points based on their effective area. By iterating through points of lines and areas, it calculates and removes the point with the least effective area.

MAPublisher 10 Release Notes

Fully compatible with the latest Adobe Illustrator CC 2018 on both Windows (32-bit and 64-bit) and Mac
New ability to create and manage data links for MAPublisher documents. MAP layers in a document can be updated when its source data has been modified.
New attribute filter capability to select which layers and attributes to include or exclude prior to import
New geometry filter capability to select which features to include or exclude prior to import
New scale bar styles and customization options including ability to save, import, and export scale bar styles
New Visvalingam-Whyatt simplification method and fault tolerance settings to simplify art
New MAP Tagger Tool ability to create custom leader lines with various arrow styles and an option to snap leader line to different positions around a label
A new Point Utilities action that can rotate points to the angle of latitude
A modified Text Utilities action that can draw a point for text based upon text alignment for indexing purposes
New settings for North Arrow location including True North and a custom coordinate and options to use Great Circle or compass method
New MAP Web Author HTML5 export customization options including adjustable scale bar
A number of user interface and usability enhancements.

Optimizing Point Symbol Placement with MAPublisher LabelPro

BlogAugust 16, 2017

This post was contributed by Hans van der Maarel of Red Geographics.

The problem with using GIS data for point symbols is that depending on the scale and symbolization you often end up with symbols partly overlapping each other. Of course, the symbols can be manually moved around after initial placement to get a more aesthetically pleasing result, but that can be a tedious and time-intensive task.

Thankfully, there is a way to automate at least part of this process by using MAPublisher and LabelPro.

This example shows the heart of an old European city (Breda in The Netherlands to be exact). The map is composed of Dutch Top10NL topographic base data, a few labels were manually added for larger features (such as the park), and points imported from OpenStreetMap (OSM) and styled using a Map Theme. As you can see, there are a number of spots where the symbols are densely located and overlap each other.

The MAPublisher LabelPro add-on is capable of collision-avoidance to make sure overlaps don’t happen. But it only works when generating labels (text). Fortunately, the solution is to trick LabelPro into processing symbols too, so that they can benefit from better placement without overlaps.

Let’s start by adding a column to the attributes to the OSM points layer and filling it with a default value, a capital O.

Thankfully, there is a way to automate at least part of this process by using MAPublisher and LabelPro.

Next, determine how big the symbols are. On the artboard, use the Type tool to place a capital O and adjust its size so that it’s about the same size as one of the point symbols. In this case, a 14 pt Futura Medium, shown here in red, seems to cover it well (your results might be different).

Futura is a good font in this case because the O is a perfect circle. Once you’ve determined the approximate font size to use, delete the O text as it won’t be needed anymore.

Next, set up the LabelPro labelling rules. Since there is already a layer with the manually placed labels and the symbols shouldn’t interfere with them, the manually placed labels will be designated as an obstacle layer. The symbols layer will be labelled with the attribute created earlier and the style set to the font and size that was just determined.

Setting the appropriate rules partly depends on personal preference but it’s important to specify that the placement prefers the center position (position 1 on the placement control). In other words: if there’s enough space for placement, the label doesn’t need to be moved or offset. Another important rule to configure is that font reduction should be turned off. All of the labels (eventually symbols) are going to be a fixed and similar size.

Also, another good practice is to specify a suppression layer. Any labels that can’t be placed with the rules set will be placed on the suppression layer. After placement, you can determine if any labels need to be adjusted manually.

Let’s label! Go ahead and label with these settings and afterward hide the original symbols layer and the suppression layer. The map is filled with O’s where the original symbols are located.

At first glance, this does not seem very useful, but closer inspection shows that the labels have retained the attributes of the original OSM point symbols.

This means that if they can be turned back into points, they will be able to be styled!

In order to turn them back into points, a text reference point needs to be created. In other words: a little dot on the text selection line, in the center of the O. This is a two-step process. First, select all the O’s on the artboard, open MAPublisher Text Utilities, and set the Action to Set text alignment and Alignment to Center. This action changes the alignment of the text without changing the actual position of the text (due to LabelPro labeling the text alignment is different based on where the label ended up in relation to the original point). This step takes care of the horizontal positioning.

Set text alignment in MAPublisher Text Utilities

The second step is to adjust vertical positioning. Vertical positioning is adjusted by moving all text up by a certain distance. Make sure all the O’s are selected, then use the (Adobe Illustrator) Move tool. In the Position group, set the Horizontal to 0 (no adjustment here since Text Utilities was used), set the Vertical to minus half the text size (font size in this example was 14 pt, so a vertical adjustment of -7 pt), and the Angle to 90 degrees.

Use the Move panel to fine tune position

For reference, this example is zoomed into a symbol that did not get displaced.

Next, these labels need to be turned into point symbols. There is a handy option in MAPublisher Text Utilities that can do that, but it places a point to the lower left of the text and the symbols need to use the center text reference point that was just created. Instead, with all of the O labels selected, open the MAP Attributes panel and export the attribute table to a text file. Make sure to specify the option Export All Attributes because there are two important hidden attributes needed to make this work: #MapX and #MapY, which are the coordinates of the text reference point.

Export attributes to a .txt file
(Click for larger version)

Using MAPublisher Import, add the attributes text file that was just created to the map and make sure to appropriately specify #MapX and #MapY in the X and Y coordinate columns.

Since there is no projection information stored in the text file, you’ll need to specify that the coordinates are in the same system as the MAP View it’s coming from and you’ll need to add it to that MAP View upon import.

On the map, there is now a new point layer and because they still have all of their original attributes, the layer can simply be added to the MAP Theme to have all the point symbols reapplied to them instantly. Let’s admire the results:

If needed, repeat the last few steps for the suppressed labels as well (to a different file and different layer of course) to see what still needs to be done manually.

How to Create and Style Highway Shields with MAPublisher LabelPro

BlogJuly 26, 2017

MAPublisher LabelPro intelligently labels your map layers using custom rules and styles. One of the popular uses of this feature is to create highway shields. The result is a cleaner map and is widely used on road maps around the world. While MAPublisher has many default options for highway shields, it is possible to create custom shields to improve your map as well. This blog will outline the steps to create and customize highway shields for your map.

Step One

Import your data into MAPublisher, ensuring your road line data has an attribute field for highway route numbers. Highway shields can work with any data type, however, traditional highway shields are created with a highway number with no additional characters. Using the integer data type enforces this and is recommended for highway shields.

Step Two

On the MAPublisher toolbar, in the Labels subsection, click the MAP LabelPro button.

Step Three

On the MAP LabelPro dialog box, click the Setup Layers button. This allows you to select which layers are going to be labeled or used as obstacles. This means you can label multiple features at the same time as the highway shields. Click the checkbox next to your roads layer and click OK.

Step Four

Optionally, you may want to only create highway shields on some of the roads within your road layer. For example, if your roads layer also contains roads that are not highways, you don’t want them labelled with a highway shield. The solution is to create a Label Filter. To do this, first create a new filter by clicking Add label filter button at the bottom of the dialog box. Next, in the Label Filter section, select Limit by expression and click the Edit icon. This opens the Expression Builder dialog box. In this example, the expression entered selects only roads that have a jurisdiction designated as “Federal” or “Province”. Only these roads will be labelled with a highway shield.

Step Five

If you didn’t create a label filter, click the layer in the Source list you would like to label. On the right side, ensure that the “Is labeled” checkbox is checked. Immediately below, in the Label Source drop-down, select the field that contains the highway route numbers.

Step Six

Select or create a rule from the Rules drop-down. The pre-defined Highways and Interstate rules that are included with MAPublisher follow conventional mapping patterns, but if you want to customize the setup of your shields, click the Edit button. Once you are satisfied with your rules, click OK to return to the MAP LabelPro dialog box.

Step Seven

To customize the appearance of the shields, click the Edit button beside the Style drop-down. To add highway shields, click the Label with symbol check box to enable its settings. The Symbol file is the shield library, where you can pick between Canadian, US State and generic shields. The Symbol drop-down is where you can pick the shield from the shield library specified. All shields will have the same symbol, if you want multiple shield shapes on your map, you’ll have to create label filters as outlined previously in step four. The Font family, Font Style, Size, Colour and Label case affect the appearance of the text within the shield. Click OK when finished setting the style.

Step Eight

Back in the MAP LabelPro main dialog box, click the “Output suppressed labels to” check box. This moves all excess labels such as duplicate shields or shields that clash with other features on your map to a Suppressed layer. You can view features on the Suppressed layer after to see which labels were not included and you can decide to keep or delete them.

Step Nine

Click Label to begin the labeling process.

Step Ten

When all of your shields are generated, you can do some additional customization. In the Illustrator Layers panel, select all of your shields. From here, any changes to the colour, stroke colour and other settings you would use on objects, will be applied to your shields. With this functionality, you can create the exact shields you want for your map.

Handling GeoJSON Files with Unspecified Projected Coordinate Systems

BlogJanuary 31, 2017

In the latest GeoJSON specification (2016), the coordinate reference system for all coordinates is a geographic coordinate reference system—using the World Geodetic System 1984 (WGS 84) datum—with longitude and latitude units of decimal degrees. The previous specification (2008) allowed for the use of alternative coordinates systems, but this was removed because of interoperability issues.

MAPublisher still recognizes GeoJSON files with a specified coordinate system even though it is no longer officially supported. However, if no coordinate system is specified, MAPublisher will assume the coordinates are in WGS 84. Occasionally, this may cause a problem of improperly formatted files that contain projected coordinates but have no specified coordinate system. In this case, users will need to either choose a coordinate system during import or modify the GeoJSON file by adding a coordinate reference system (CRS) object manually.

Selecting a Coordinate System on Import

To change the coordinate system using the Import dialog box, click Advanced and select the WGS 84 link under Coordinate System. Ignore the warning about changing the coordinate system by clicking “Replace coordinate system”. Select the correct projected coordinate system from the list.

Modifying the GeoJSON File Manually

Coordinate reference systems can be specified in a GeoJSON file using a CRS object. You can view the contents of any GeoJSON file by opening it in a text editor such as Notepad. Copy and paste the text below after the line: “type”: “FeatureCollection”, (usually on line 2). Change the EPSG number to the correct CRS for your dataset. See Spatialreference.org to lookup an EPSG code.

"crs":
{
   "type" : "name",
   "properties" :
   {
      "name" : "EPSG:[EPSG Code]"
   }
},

Example:

The GeoJSON file can now be read properly by MAPublisher and can be imported as normal.

Cleanup Lines With MAPublisher Trim and Extend Tools

BlogJanuary 16, 2017

The latest release of MAPublisher includes the ability to trim and extend objects to a crossing or intersecting path. Extending a path lengthens it to meet the edge of a crossing object and trimming a path cuts the portion that extends past the edge of an intersecting path. Trim and extend tools are commonly used in CAD software and will greatly improve the ability to produce accurate and precise data in MAPublisher and clean-up imported data.

Location of the Trim and Extend tools on the Adobe Illustrator Tools panel. Click and hold the tool button to switch between MAP Trim Tool and MAP Extend Tool.

The MAP Trim Tool and MAP Extend Tools are located on the Adobe Illustrator Tools panel. Click and hold the MAP Trim or Map Extend tool button icon to switch between them. To use the tools, select the crossing or intersecting path and click the object to extend or trim. The diagram below illustrates the basic process.

Visualization of the trim and extend processes

There are many possible applications for these tools in digitizing and cleaning map data. In a hypothetical example illustrated below, we trim all the roads that extend past the edge of a border, and extend the imported roads (in bold) to meet the existing roads.

Examples of uses for the trim and extend tools. Extending imported roads to match existing roads and trimming lines that fall outside of a map border

Use MAPublisher to Import Layers from ArcGIS Online Directly Into Adobe Illustrator

BlogJanuary 5, 2017

With the latest release of MAPublisher 9.9, it’s now possible to easily import layers directly from an ArcGIS Online account or an ArcGIS web service. This will allow you to use shared data layers within your ArcGIS Online organizational account and connect to publicly available map servers from various online sources.

ArcGIS Online is a collaborative web GIS that allows you to store and share GIS data using Esri’s secure cloud. Before, you may have had to download layers as shapefiles to your local machine and then import them into Adobe Illustrator using MAPublisher. Now, MAPublisher has a much improved workflow to get ArcGIS Online layers into Adobe Illustrator will full georeferencing, all map features, and attributes.

Currently, the types of datasets allowed are Feature Layers, Map Image Layers and Tile Layers. To load a layer, use MAPublisher Import as you would with any data type and select ArcGIS Online from the Format drop-down menu. Click the login link to enter your ArcGIS Online credentials to access your organization’s web portal.

Feature Layers contain vector data that will import as artwork into Adobe Illustrator. Optionally, you can extract specific features using standard SQL queries. Map Image Layers and Tile Layers are raster data layers that can be added by selecting the geographic extents.

In addition to using your own organization’s data, you can connect to publicly available data from a wide variety of organizations by connecting to an ArcGIS Web Service. To connect to a web service, use MAPublisher Import and select ArcGIS Web Service from the Format drop-down menu. Click to select the dataset and enter the URL for the service. This is a great option when searching for data from open data portals created by government agencies.

Accessing Esri’s online services through MAPublisher provides a great opportunity to use shared data within your organization and access a wide variety of publicly available data. We’re sure you’ll find it very useful for finding data to make great maps.

Isolating and Displaying Specific Grid and Graticule Lines

BlogNovember 8, 2016

MAPublisher Grids and Graticules is a powerful tool. There are dozens of settings to create an indexed grid, measured grid, or graticule exactly the way you want. We often receive questions about how to create certain grid and graticule styles and this was interesting. We were asked how to create a graticule to display a very specific latitude and longitude, perhaps even by itself (only a single line of latitude or longitude).

In this example, we’re going to create a graticule that will only display the Tropic of Capricorn at -23.4371 degrees (or 23.4371 degrees south of the equator).

On the MAPublisher toolbar, click the Grids and Graticules button to open the dialog box. Click the Graticules button to create one. On the Graticules Grid main settings, the important setting to note here is the Pass through section — it specifies lines of latitude and longitude that must be included in the graticule. Enter 30 deg Long and -23.4371 deg Lat. This means that a graticule line must pass through -23.4371 degrees latitude (the Tropic of Capricorn). The reason why a line at 30 deg longitude is specified is to hide it from the map view (it is placed at 30 deg longitude outside of the map extent).

In the Intervals section, set 90 deg Latitude interval and 180 deg Longitude interval. Because the intervals are at the extreme, this means that the the only lines left to display are the ones specified in the Pass through section (30 deg long and -23.4371 deg lat). In this case, it will only display a single line of latitude (the Tropic of Capricorn) for the graticule.

If you want to label the graticule, go to the Line Labels setting. Click the Lat and Lng on the grid label control to enable them. To control how many decimals are displayed, click the Format setting, then change the number of decimals to something greater than 0.

To intersect single lines of longitude and latitude, adjust the Pass through setting so that the line is within the map’s extent. In this case, it was set to -50 deg (50 deg west).

Remember that you can share Grids and Graticules settings with anybody by clicking the Save Settings button, selecting a destination folder and sharing the configuration files.

The Difference Between Constraints and Bounds in a Graticule

BlogOctober 17, 2016

A graticule is the network of lines of latitude and longitude drawn at regular intervals on a map. Graticules are created in MAPublisher using the Grids and Graticules tool. In some maps, you may want to limit the area on the map that a graticule covers. For example, you may want it to cover only the map’s area of interest. The image below is a map of North America with a graticule drawn at 5-degree intervals. US State boundaries are drawn in white. In this post, we’ll modify the graticule three times so it conforms to the edges of the image, so it covers only the Continental United States, and lastly a combination of the previous two modifications.

North America with a graticule of 5 degree intervals.

MAPublisher can limit the geographic extents of a graticule in two ways: using Grid Bounds and using Grid Constraints. In both cases, you’ll specify the lower left and upper right corners of the graticule. Specifying Grid Bounds will limit the extent of the graticule to a rectangular area while specifying Grid Constraints will limit the graticule along lines of latitude and longitude. If both Grid Bounds and Grid Constraints are specified, the graticule will cover an intersection of the two areas. The image below shows bounds and the constraints and the intersecting area which forms the graticule.

Bounds and the constraints and the intersecting area which forms the graticule.

To modify a graticule so that it conforms to the edges of the image, you’ll need to specify grid constraints. In the Grids and Graticules dialog box, click the Specify Grid Constraints check box and set the Lower Left and Upper Right corners to the corners of the image which are -127°, 7° and -50°, 65° respectively.

To create a rectangular graticule covering only the lower 48 states, click the Specify Grid Bounds check box and set the Lower Left and Upper Right corners to the corners of that area. Tip: click the MAP World Locations drop-down arrow to choose the values for the lower left and upper right corners.

When both Specify Grid Bounds and Specify Grid Constraints check boxes are both checked, the graticule will cover an intersection of each of the extents. For instance, in the map below, the northern extent follows the 49th parallel at the Canadian border, the western extent is at the edge of the image (127° west) and the south and east extents are the same as in the previous map.

Both Specify Grid Bounds and Specify Grid Constraints selected.

Easy Map Creation with WFS and WMS

BlogMay 27, 2016

Online services can be used to create high-quality maps without the need to download and maintain large spatial datasets or spend time designing base maps. In this post, we’ll use two online sources to import data and create a map showing the potential energy generated from existing and proposed wind power projects in the state of Massachusetts.

There are two types of online mapping services MAPublisher can use to import layers: Web Map Services (WMS) and Web Feature Services (WFS). WMS is an interface for accessing geo-registered images from an online source. This means that users aren’t able to modify individual elements of a WMS layer and are only able to select an area of the map to import. WMS also allows for transparency so map layers can be overlaid on top of one another.

WFS, on the other hand, is an interface for accessing vector map features in GML format. Features are imported as a MAP Layer which can be further modified using MAPublisher and Illustrator tools. To create this map, we’ll import data from two sources: a topo map from the US Geological Survey (USGS) and the Massachusetts Office of Geographic Information (MassGIS).

To start, open Adobe Illustrator and create a new document in portrait mode. Import a MAP Layer and select Web Feature Service from the Format drop-down. Click the “Click to select services and layer(s)”. link. The MassGIS layers are included with MAPublisher by default. If you do not see this service, click Load Services from Avenza. Select Commonwealth of Massachusetts, USA – MassGIS in the USA folder.

On the Select Features dialog box, select Wind Power. Note the default SRS – EPSG 26986. On the Import dialog box, click the link to select a coordinate system. Choose Massachusetts Mainland Zone (EPSG 26986). Click OK.

The Wind Projects layer has been imported as a MAP Layer. It can be modified using MAPublisher or Illustrator tools to symbolize, label, select, and so forth. To create the style for this layer, add a new Stylesheet MAP Theme of Point feature type, then Batch generate rules for the KW column using three quantiles, and select Set scale so the symbols scale proportionally to the value. For more on how to replicate this style, see the MAPublisher Help article MAP Themes.

Wind point attributes (click to see larger image)

The next step is to import a WMS layer to use as a base layer. This map uses the USGS Topo Base Map which was created as part of the National Map program. A list of WMS and WFS services provided by USGS is available at http://viewer.nationalmap.gov/services/.

Go to the USGS web page and open the WMS link under Base Maps (Cached) > USGS Topo Base Map – Primary Tile Cache (Tiled). This is an XML document with the location and metadata of the WMS. Copy the link from the address bar and in Adobe Illustrator, click the MAPublisher Import button and choose Web Map Service from the Format drop-down menu. Click the “Click to select service and image” link. Click Add New Service and paste the URL into the GetCapabilities URL text box. Choose the service from the list and click OK.

On the Select Web Map Layer dialog box, choose USGS Topo Base Map from the Layers list. Set the Image Size to 1000 to increase the resolution. To change the extents of the output image click Select Area. This dialog box provides several options for setting the extents of the base map image. Click-and-drag to specify an area to select – the image will automatically crop. The buttons at the top of the panel allow you to enter the coordinate extents manually, match the extents of a MAP View or match the extents of a vector layer. Since we have already added the Wind Power layer to the map, we will set the extents to match this map view by clicking “Select area by MAP View” and choosing Wind_Projects from the drop-down menu. Leave the other options as default and import the base map image.

For the final step, open the MAP View panel and drag the layer DMARRIER.EEA_WIND_Point to the MAP View USGS_TNM_Toppo_Base_Map. This will transform the points to the same coordinate system as the base map.

There are thousands of freely available WMS and WFS sources available online. For a good starting place see this blog post from the Open Geospatial Consortium for advice on finding services. You could also use a basic web search – for example – “WMS Toronto” or similar. For more help on web services in MAPublisher see the help article Web Map/Feature Service.

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